The Abstract Expressionism Movement

The Abstract Expressionism Movement, also called the New York School was exclusively an American abstract art movement that evolved in New York City in the period following the Second World War. This movement was significant in the sense that it was the earliest American movement to declare non-dependence on European styles and to get a sway all over the globe. It also enabled New York City to replace Paris as the art hub. Prior to its reference to American art, 'abstract expressionism' was a term used in the Berlin periodical named 'Der Sturm', in 1919.

Arshile Gorky played an important role in inducing The Abstract Expressionism Movement. The abstract art works produced during the period of this movement are considered to be a combination of certain visual aspects of abstract European schools like Futurism, Synthetic Cubism and Bauhaus with the self-expression and emotional strength of German Expressionism. Though this abstract art was a mixture of a number of styles, its basic philosophy was to search and seek out answers for questions relating to human existence.

During the period of The Abstract Expressionism Movement, several artists started experimenting with shapes and colour. They broke away from what was considered to be artistic, conventional painting and painted complete canvases in blue, orange or other colours. Dripping, splattering and big brush strokes were characteristic features of Abstract Expressionist Art. The artists of this period preferred larger canvases positioned on the floor over canvases that were easel bound and moderate. The focus of abstract art within the expressionism movement was not the portrayal of objects but the portrayal of emotions.

In the broad sense, Abstract Expressionism was of two streams - Colour Field Painting and Action Painting. Colour field painting came up in the beginning of the 1960's and involved using shape and colour to create religious serene paintings that were devoid of representative subject substance. The composition of colour field works were huge coloured areas with no forms or signs. Helen Frankenthaler, Mark Rothko and Ellsworth Kelly were some painters associated with this type of painting. Action Painting was a painting stream that arose prior to Colour Field Painting (between the 1940s and 1950s) and practiced by painters like Jackson Pollock, Willem de Kooning and Franz Kline. The driving force for the works of these painters was the painters' soul and life energy.

In addition to the painters mentioned earlier, there were other well-known American Abstract Expressionist painters like Clyfford Still, Barnett Newman, Adolph Gottlieb, Hans Hoffman, Philip Guston, Bradley Walker Tomlin, Robert Motherwell and Riopelle.

Abstract Expressionist Art appeared to be defiant, very idiosyncratic and radical, and to some, nihilistic. Started in the 1940s, The Abstract Expressionism Movement weakened in the 1960s while movements like minimalism and pop art arose in opposition to it. Despite the movement losing importance, a good number of abstract expressionist painters continued following its characteristic painting fashion for many more years. In addition, The Abstract Expressionism Movement profoundly influenced how some American artists of later generations used materials and color in their abstract art.